Kala Raksha, NGO website design

At a glance

During my second year of Bachelor's in Design, I had the opportunity, along with four of my classmates, to collaborate with Kala Raksha, an NGO based in Kutch. Our objective was to enhance sales and revive the underexplored art and craft heritage through the creation of an informative website. The website aimed to provide comprehensive information about Kala Raksha and facilitate online purchases through an e-commerce platform. This project was design-oriented, culminating in the development of a website utilizing HTML/CSS bootstrap technologies.

Empowering Artisans, Enriching Heritage

Design brief

Despite its rich cultural heritage and unique artistic traditions, Kutch-based NGO Kala Raksha faces challenges in effectively showcasing and marketing its products. Limited online presence and inadequate sales channels hinder its ability to reach a wider audience and promote its artisans' craftsmanship. In order to revitalize this cultural legacy and empower artisans, there is a critical need for the development of an informative website with integrated e-commerce functionality. This platform must not only educate visitors about Kala Raksha's mission and artisans but also provide a seamless online shopping experience, thus facilitating increased sales and sustainable growth.



About Kala Raksha and it's craft

The Kala Raksha project began in Kutch in 1991. The project focused on a group of embroiderers in Sumrasar Sheikh who had migrated from Nagar Parkar in Sindh in 1972. They brought with them some fine traditional embroideries.

It comprises of artisans, community members, and experts in the fields of art, design, rural management and museums.

Kala Raksha works with 7 distinct hand embroidery styles:

  1. The Sindh-Kutch regional styles - Suf, Khaarek, and Paako

  2. The ethnic styles - Rabari, Garasia Jat, and Mutava.

  3. Handicraft style - Patchwork & Applique

SUF

KHAAREK

PAKKO

RABARI

JAT

JAT

MATAVA

MATAVA

PATCHWORK & APPILIQUE

PATCHWORK & APPILIQUE

SUF

KHAAREK

PAKKO

RABARI

SWOT Analysis

This describes the strategic planning method that involves evaluating the internal strengths, weaknesses, external opportunities, and threats of the existing model employed at Kala Raksha. It is utilised to identify potential competitive advantages, detect gaps, and promptly uncover potential problems that need to be addressed.

This describes the strategic planning method that involves evaluating the internal strengths, weaknesses, external opportunities, and threats of the existing model employed at Kala Raksha. It is utilised to identify potential competitive advantages, detect gaps, and promptly uncover potential problems that need to be addressed.

This describes the strategic planning method that involves evaluating the internal strengths, weaknesses, external opportunities, and threats of the existing model employed at Kala Raksha. It is utilised to identify potential competitive advantages, detect gaps, and promptly uncover potential problems that need to be addressed.

Competitor study

Kala Raksha faces competition from various sources like online mode along with physical competition.

Kala Raksha faces competition from various sources like online mode along with physical competition.

Kala Raksha faces competition from various sources like online mode along with physical competition.

Physical competition

  1. Bhujodi (a village of weavers)

  2. Ajrakhpur (a village of block printers)

  3. Rann of Kutch (the area of bell makers, Rogan art, and lacquer work artists)

  4. Nirona (handmade copper bells, lacquerware, and Rogan painting)

  5. Hodka (leather craftwork, traditional running stitch products)

  6. Ludiya (Rajasthani style of embroidery, patchwork, golden gotas, and mirror-work)

Physical competition

  1. Bhujodi (a village of weavers)

  2. Ajrakhpur (a village of block printers)

  3. Rann of Kutch (the area of bell makers, Rogan art, and lacquer work artists)

  4. Nirona (handmade copper bells, lacquerware, and Rogan painting)

  5. Hodka (leather craftwork, traditional running stitch products)

  6. Ludiya (Rajasthani style of embroidery, patchwork, golden gotas, and mirror-work)

Physical competition


  1. Bhujodi (a village of weavers)

  2. Ajrakhpur (a village of block printers)

  3. Rann of Kutch (the area of bell makers, Rogan art, and lacquer work artists)

  4. Nirona (handmade copper bells, lacquerware, and Rogan painting)

  5. Hodka (leather craftwork, traditional running stitch products)

  6. Ludiya (Rajasthani style of embroidery, patchwork, golden gotas, and mirror-work)

Online competition

  1. Shrujan for embroidered textiles which make quality apparel, accessories, and lifestyle products.

  2. Khamir for its 17 distinct types of embroideries which are used as a form of individual and community expression.

  3. Unnati Silks for the various types of fabrics and garments the site sells.

  4. KutchKart for all the crafts from the region of Kutch.

  5. Itokri for home decor, garments, and even for festivals.

Online competition

  1. Shrujan for embroidered textiles which make quality apparel, accessories, and lifestyle products.

  2. Khamir for its 17 distinct types of embroideries which are used as a form of individual and community expression.

  3. Unnati Silks for the various types of fabrics and garments the site sells.

  4. KutchKart for all the crafts from the region of Kutch.

  5. Itokri for home decor, garments, and even for festivals.

Online competition

  1. Shrujan for embroidered textiles which make quality apparel, accessories, and lifestyle products.

  2. Khamir for its 17 distinct types of embroideries which are used as a form of individual and community expression.

  3. Unnati Silks for the various types of fabrics and garments the site sells.

  4. KutchKart for all the crafts from the region of Kutch.

  5. Itokri for home decor, garments, and even for festivals.

Design researcher model

We adhered to the design process, commencing with a comprehensive understanding of the organization's needs through primary and secondary research. This enabled us to define our user group and identify problem areas, prompting us to search for gaps. Subsequently, we engaged in the ideation process, concentrating on defining the theme, reviewing content, and establishing UI style guidelines. This progression led us to create wireframes and develop them using HTML/CSS Bootstrap templates. Finally, we conducted usability testing to refine the product further.

Defining users

The primary target user was considered to be the users who will come to the website to learn about Kala Raksha and purchase their products.

The secondary target user was considered to be the artisans who work at Kala Raksha.

Inspiration board

The inspiration board helped us align as a team to decide on the style that could be used while designing the website.

Final website designed

This is the redesigned website along with an ecommerce element, developed using HTML/CSS.

Click here to view the recording of developed website :

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